Category Archives: music
Questions Concerning The Future of “Tredegar Green”
With it almost being time for the wonderful Richmond Folk Festival, there is more attention on Venture Richmond’s “Tredegar Green”. Here are a few of the questions that Oregon Hill residents have about it:
What happened to the emergency? Venture Richmond repeatedly told the media that they had to have the amphitheater built this summer or the Folk Festival would not happen. They said that nearby property owner New Market would not allow them to use some of the site land that they had in the past due to development plans, so they had to have the amphitheater site and no other alternative sites would work. Why were alternatives like Brown’s Island and beneath the historic James River and Kanawha Canal ignored? What are those development plans for the site area that they supposedly had to vacate?
What about the issues of the lease of the City property and the fact that Venture Richmond attempted to get a tax exemption on this land during the moratorium on tax exemption by designation?
Its been almost two years since a historically significant wall was systematically torn down (despite what the contractor Liesfeld has said about it just falling down, there were witnesses who saw the deconstruction). When will the illegally demolished historic wall be replaced, as was repeatedly promised? Were all of the torn down wall’s bricks accounted for (There were pallets of brick on the berm on Venture Richmond’s property. They had to have been moved when Venture Richmond worked on the berm)? Will the public ever be allowed to see the work contract and other agreements concerning the land where this public resource was illegally demolished (The plans approved by the City government showed the wall to be removed only on Venture Richmond’s property)?
Will there be a state historic marker for the James River and Kanawha Canal west of Tredegar Iron Works?
City staff told the Urban Design Committee and the City Planning Commission that they didn’t need to consider any damage to the James River and Kanawha Canal because Venture Richmond promised a thorough Section 106 review by the Va. Dept of Historic Resources and the Corps of Engineers. But Venture Richmond withdrew from the Section 106 review the day after receiving final city approval. How can Venture Richmond be trusted after the destruction of the canal without the promised Section 106 oversight?
There are rumors that the area closer to 5th Street and the Tredegar Iron Works site will be developed soon. There are still remains of the historic James River & Kanawha Canal there as well (Venture Richmond used part of them for a bicycle ramp as part of this past Dominion Riverrock festival). What are those development plans? Will there be any efforts to preserve the historic canal site there? The parcel is privately owned, but the Canal is a publicly registered historic site.
With Venture Richmond having altered and destroyed part of the historic James River & Kanawha Canal at one of it’s previously best preserved portions, will the Canal be structurally sound in the future?
When will the historic James River & Kanawha Canal be rewatered and more properly preserved? -as per 1988 City of Richmond Canal Restoration plans, despite the recent destruction of one of the previously best preserved portions of the canal? What is the City government doing to follow its own planning?
Upon the future restoration of the James River & Kanawha Canal, where will the planned canal boats turn around, now that Venture Richmond has taken and altered much of the crucial turning basin land as well as altered and diminished a crucial part of the canal’s foundation?
Venture Richmond received the City government’s approval to build the amphitheater in conjunction with a City ordinance that authorizes “temporary events”. Jack Berry of Venture Richmond told the Oregon Hill Neighborhood Association that “we would probably be open to the idea of renting it.” which is not the same story that was told to the Planning Commission. Now that the amphitheater is built, Jack Berry is planning to have the amphitheater rezoned to allow for much more use. Is this a technique that other developers will copy? How and will rezoning plans for this area be publicly shared and debated? How will the public have a voice on this matter?
How will the new amphitheater effect programming at other public venues? How about the Dogwood Dell amphitheater? Given the number of performing arts venues that already exist and are being built, how many performing arts venues can Richmond support, both in terms of audiences and finances? How can they be coordinated to prevent interference and harm?
There is speculation that the planned reopening of a concert area on Mayo Island was basically not allowed by City government, in part because it would compete with this new amphitheater. Is there any truth to that speculation?
Oregon Hill neighborhood leaders have recently been working with the Richmond police to ensure that there is adequate parking enforcement and traffic control for public safety. As this amphitheater is used more, will Venture Richmond compensate the City and neighborhood for the additional parking and traffic pressure and needed resources?
In a similar vein, riverfront events have caused increasing pressure on public trash receptacles and outright littering. When will the riverfront and nearby neighborhoods receive better public trash and recycling infrastructure? Will there be recycling and composting at the new amphitheater?
Oregon Hill residents have had to complain to the police about multiple loud noise disturbances from concerts at Brown’s Island with varying levels of response. The Oregon Hill neighborhood has been very tolerant of the Folk Festival weekend over the years. The amphitheater is aimed at the Va. War Memorial, a place of quiet contemplation. Is Jack Berry’s desire to have more events at Tredegar Green consistent with the Commonwealth’s obligations to respect the Va. War Memorial? The City’s Zoning Administrator determined that the “temporary event” ordinance did not exempt the owner from complying with the noise ordinance. What recourse will Oregon Hill residents have with future loud noise disturbances from concerts at this new, much closer concert site? How will this noise effect wildlife on our riverfront? Will Venture Richmond be held accountable? Perhaps more importantly, how will the City address this and the noise ordinance in general?
There were repeated requests from the Oregon Hill Neighborhood Association and the Overlook Condo Association for Venture Richmond to agree to curfews and some restrictions on the new amphitheater operations in the interest of giving Venture Richmond a chance to forge a better relationship with the neighborhood. OHNA received no response. The Overlook Condo Association received a cursory, noncommittal response. If Venture Richmond is a ‘public-private partnership’, why does it treat the public with such disrespect?
What are future plans for this riverfront area? There are plans to build a connection from the current pedestrian bridge over the canal to the Belle Island pedestrian bridge. Will citizens continue to have direct public pedestrian access to Tredegar Street and the river from Oregon Hill, as they have had for generations, in addition to this new connection? This goes directly back to the City’s Master Plan, which cost a lot of taxpayers’ time and money, and done with much input from citizens. Again, what is the City government doing to follow its own planning? Why is the City’s Riverfront Plan being used to ‘water down’ the tenets of the City’s Master Plan? What is being done to preserve and protect remaining public resources from increasing privatization of the riverfront?
Some Saturday Events
Some things happening tomorrow that might be of interest..
The Cathedral of Sacred Heart is having its 3rd Annual International Food Festival from 11 am to 4 pm:
Members from parishes and local missions are coming together for a culturally diverse celebration with the Richmond community. You’ll find international selections from Our Lady of Lourdes Filipino Festival, St. Benedicts Oktoberfest, Sacred Heart Hispanic Festival and many more.
This is a 100% Pure Non-Profit festival. 100% of every purchase made supports that unique mission or parish. There will be culturally diverse entertainment and raffles along with lots of children’s activities, as well as tours of the historic Cathedral that include the museum and crypt.
Admission is FREE and there is convenient parking at the VCU deck
adjacent to the Altria Theatre.
The Gay Community Center of Richmond is hosting the 8th Annual Richmond Zine Fest from 11 am to 5 pm. While it may not be that close to Oregon Hill, it bears mentioning simply because all of the local zinesters (including Throttle writers) who have called the neighborhood home.
I already plugged the Library book drive, there’s a Gellman Room Concert at 2:00 PM- Small Trunk Opera presents “Cox and Box”- an 1866 comic operetta with music by Sir Arthur Sullivan of Gilbert & Sullivan fame.
Finally, there’s this weirdness:
Girls Rock!
Missed the 4th Annual Girls Rock! RVA Showcase at the Richmond Public Library this afternoon, but thankfully other neighbors did not. Thanks to neighbor Greta for the pic.
Electric Guitar For Sale
From Craigslist ad:
Ibanez Cimar guitar for sale with Epiphone practice amp, 12′ cable, and case included. Asking $85 obo, please e-mail with inquiries. – Mike
The Alter Natives
The Alter Natives Summer 1988 in Oregon Hill, RVA. Photo by Naomi Peterson.
(Ed. note: The Alter Natives were part of an interesting postpunk music scene coming out of Richmond that inspired me to move here.)
Letter To Neko Case
I sent this earlier this month to Neko Case’s management in an attempt to contact the rock star:
Dear Neko Case,
First of all, let me say that I have enjoyed your music for a while now. While many fans may have first heard of you through the New Pornographers, I first heard you from your work with with one of my all time favorites, John Doe. I was lucky enough to have been tipped off last minute about a show you did years ago with the Sadies down at a Shockoe Bottom club in Richmond, Virginia, called Alley Katz (an old alley warehouse turned beer hall with a small stage.) The energy, your voice…I am not exaggerating when I say it is one of the best shows I have ever seen.
I also had the pleasure of seeing you more recently at Richmond’s National Theater, an excellent show though the venue was not nearly as personable. So, I’m excited to hear that you’re scheduled to make another appearance in Richmond at the end of June. I’m looking forward to it and hope you are too. I’ve purchased your new album “The Worse Things Get, The Harder I Fight, The Harder I Fight, The More I Love You (Deluxe Edition), locally, at Plan 9 Records and have enjoyed it very much. I’ve found the personal stories on it touching.
The reason I am writing to you now and making this an open letter is to let you and others know about a local controversy related to the venue for your upcoming Richmond show (June 27). Don’t worry, I am NOT asking you or anyone else to boycott it, but I’m hoping that you’ll choose to treat this matter with due sensitivity and understanding. There’s a lot to it, so please take a moment to gather your concentration before reading further…
I live in a very special place, a small, “historic white working-class neighborhood in Richmond, Virginia” called Oregon Hill. There are many reasons why it’s special, including that it has survived the Civil War, tornados, highway construction, suburban flight, corporate hegemony, university expansion, and other threats. It’s also known as place that many local musicians have called home, including The Rock-A-Teens, GWAR, The Cowboy Junkies, David Lowery (Camper Van Beethoven, Cracker), Tim Berry (AVAIL), the No BS! Brass Band, and countless others. There have also been many songs written about it, including The Cowboy Junkies’ “Oregon Hill”.
Perhaps because of this affinity for musicians, Oregon Hill was delighted when the National Folk Festival set up tent for a few years in a closely adjacent riverfront location. After the National Folk Festival travelled on to other cities, a private local nonprofit group called Venture Richmond went on to hold “The Richmond Folk Festival” in that location. I’ll note here that I personally attended and volunteered for both the National and Richmond Folk Festivals. I even won the Volunteer of the Year Award in 2010. So, you can imagine my happiness at having some of the best musicians in the world playing within walking distance of my home.
It’s a special kind of hell when something you love is used to threaten your community, but that has sadly become the case with The Richmond Folk Festival. Oregon Hill residents did experience some noise/trash/crowd issues over the years due to a few especially rowdy, loud acts in close proximity to our relatively quiet, residential neighborhood, but we’ve largely tolerated this, because we understand and want people to enjoy the music and riverfront. The Folk Festival is only one weekend a year and more of ‘a family event’.
However, Venture Richmond has now proposed building a new, 10,000 person amphitheater at that location. It’s called Tredegar Green and is a fragile, historic site directly adjacent to Oregon Hill and the Virginia War Memorial. Venture Richmond wants to be able to rent out their proposed amphitheater year round. The Richmond Folk Festival and other concerts have been at initially held at another river-adjacent location called Brown’s Island (where I believe you’ll be playing later this month) which is more appropriate in its proximity to residential/natural areas.
The Tredegar Green location is what our neighborhood Association (as well as numerous historic preservationists nationwide) want to preserve. The reason is that through that location runs a segment and boat basin of the The James River and Kanawha Canal. This waterway was built in 1785 to facilitate river travel upriver beyond Richmond’s rocky fall line, effectively creating a travel and trade route prior to the inception of the railroads. The canal was built with slave labor and the company that built it and managed it was founded and presided over by no one less than George Washington.
Even before Venture Richmond’s proposal was fully announced, a historic stone wall built adjacent to the canal by Washington’s company was illegally demolished while the site was under Venture Richmond’s stewardship. I’ve worked for over the last few years with our Oregon Hill Neighborhood Association to carefully document and present the history of the Kanawha Canal, focusing on the portion threatened by Venture Richmond’s proposed amphitheater. Despite our continued attempts to broker compromise (keeping the proposed amphitheater on Brown’s Island, for example) and mitigate damage, Venture Richmond (which is really a very powerful mix of local corporate and political leaders, including our own Mayor) continues to bulldoze ahead, ignoring neighborhood and historical preservationists’ concerns.
In short, Venture Richmond’s plans are threatening not only our quality of life, but the very historic and structural integrity of our city. They’ve deceptively told the media and general public that if we force them to adjust their plans, the Folk Festival will have to be cancelled. Personally, I think this has more to do with future development plans for the location and very little to do with amphitheaters, Folk Festivals, music, or public interest.
They see the historic Canal and Oregon Hill as public impediments that must be diminished to attain their private plans. Sadly, this group and their supporters pretty much own the mainstream media in this town and those they don’t own are afraid to speak out against them. I’ve been writing about this for a while now, if you want, you can read more on my website, www.oregonhill.net.
I appreciate your time and don’t necessarily expect you to step in on this mess. You have a contract to perform and I do want the best for ‘RVA’. I will pray for good weather, but I want you to know about this controversy, so when Venture Richmond’s representatives start talking to you about what they’re doing for ‘downtown living’ and their future plans, you understand that there’s more to the story and that there’s a lot more at stake.
Hold me to the line.
Sincerely,
Scott Burger
(Ed. note: Alley Katz is now gone and a new, different venue is opening there).
How Much Are The Lyrics To Kerosene Hat Worth?
Planet Money has a somewhat interesting radio show this week on music lyrics. It prominently features Camper Beethoven/Cracker singer David Lowery. As mentioned before, Lowery lived on the 200 block of S. Laurel while he wrote much of the album Kerosene Hat.
The topic of the Planet Money show is about how lyrics of songs are available on the internet and the question of ‘fair use’. From the show synopsis:
There are roughly 5 million searches for lyrics per day on Google, according to LyricFind. Those searches often lead to websites that post lyrics to lots of songs — and, in many cases, sites that post ads alongside those lyrics.
David Lowery, frontman and songwriter for Cracker and Camper van Beethoven, is waging war on the sites he believes make money off song lyrics but don’t pay the songwriter. Once he took a closer look at where his music was making money on the Internet, he realized: There were more people searching to find lyrics to his songs than searching to illegally download mp3s of his music. And he wasn’t making money off those searches. Last November, after months of exhaustive and systematic Googling, he released something called The Undesirable Lyric Website List.
There’s more to it, of course, and may be worth a full listen.
Writer Galuszka To Speak/Girls Rock Party At Main Library Friday
2nd Grade Violin Debut
From St. Andrew’s School blog:
All St. Andrew’s School students have been learning to play the violin this year. Today, the second grade class showcased their achievements in a small group recital where they performed for an audience that included the 5th grade class, parents, staff, and teachers.
Ms. Ellerbe, our Music teacher, has been teaching the children to play the violin in small groups (up to eight children) twice per week. For today’s recital, she lead each group as they performed, Pizzicato (named for a playing technique that involves plucking the strings of the violin ), Mary Had a Little Lamb, and Hot Cross Buns. Performances by each group were captured and are featured below.
After a very successful debut, the children are now looking forward to performing again at the Spring Concert. The concert will be held in Baldwin Hall on Monday, May 19, from 6:00-7:00 p.m. (it will begin after the Family Association Meeting and Dinner).
There’s also been otter sightings outside the school:
From their Facebook page:
The Otter Closet will sell gently used clothing…but here’s the cool part: proceeds will be divided and half will support our school’s violin program while the other half is donated to Full Circle Grief Center. In addition, students will help run the shop, incorporating their economics lessons into this real-life effort. Everybody benefits!